Chapter 1
Imaginal Border Crossings and Silence as Negative Mimesis in Elia Suleiman’s Divine Intervention (2002)
Tanya Shilina-Conte
Imaginal Border Crossings and Silence as Negative Mimesis in Elia Suleiman’s Divine Intervention (2002)
Tanya Shilina-Conte
Chapter 2
Underground Bridges: Tunnels in the Films of Emir Kusturica Underground (1995) and Life Is a Miracle (2004)
Dennis Browne
Chapter 3
Aquaterrorists and Cybraceros: The Dystopian Borderlands of Alex Rivera’s Sleep Dealer (2008)
Thomas Prasch
Chapter 4
An Empire of Borders: Central European Boundaries in István Szabó’s Colonel Redl (1985)
Raluca Cernahoschi
Chapter 5
Icons, Landscape and the Boundaries of Good and Evil: Larisa Shepitko’s The Ascent (1977)
Jane Costlow
Chapter 6
Negotiating a New Europe: Laila Pakalnina’s The Bus (2004) and Transnational Landscapes
Maruta Z. Vitols
Chapter 7
Zurich Roses: Andrea Staka’s Das Fräulein (2006)
Lesley C. Pleasant
Chapter 8
A Scar that Vanished: Recollections of the Inner-German Border in German Non-Fiction Film
Claudia Plasse
Chapter 9
The Use of Music in Turkish-German Diasporic Cinema
Ayça Tunç Cox
Chapter 10
Heating Up: Border Crossing and Identity Formation in Fatih Akin's In July (2000)
Charlotte Christina Fink
Chapter 11
Lost Children: Images of Childhood on the German-Polish Border in Christoph Hochhäusler’s This Very Moment by (2003) and Robert Glinski’s Piggies (2009)
Jakub Kazecki
Chapter 12
Orphans, Violence and Identity: Transnational Travel in Cary Fukunaga’s Sin Nombre (2009), Denis Villeneuve’s Incendies (2010) and François Dupeyron’s Monsieur Ibrahim (2003)
Karen A. Ritzenhoff
Chapter 13
What the Images Cannot Show: The Letters in Montxo Armendáriz’s Letters from Alou (1990)
María Lourdes Casas
Chapter 14
Reflections on China and Border Crossings in Jia Zhang-ke’s Unknown Pleasures (2002) and Still Life (2006)
Sean Allan
Chapter 15
Border Imaging: Revealing the Gaps between the Reality, the Representation and the Experience of the Border
Katie Davies
Underground Bridges: Tunnels in the Films of Emir Kusturica Underground (1995) and Life Is a Miracle (2004)
Dennis Browne
Chapter 3
Aquaterrorists and Cybraceros: The Dystopian Borderlands of Alex Rivera’s Sleep Dealer (2008)
Thomas Prasch
Chapter 4
An Empire of Borders: Central European Boundaries in István Szabó’s Colonel Redl (1985)
Raluca Cernahoschi
Chapter 5
Icons, Landscape and the Boundaries of Good and Evil: Larisa Shepitko’s The Ascent (1977)
Jane Costlow
Chapter 6
Negotiating a New Europe: Laila Pakalnina’s The Bus (2004) and Transnational Landscapes
Maruta Z. Vitols
Chapter 7
Zurich Roses: Andrea Staka’s Das Fräulein (2006)
Lesley C. Pleasant
Chapter 8
A Scar that Vanished: Recollections of the Inner-German Border in German Non-Fiction Film
Claudia Plasse
Chapter 9
The Use of Music in Turkish-German Diasporic Cinema
Ayça Tunç Cox
Chapter 10
Heating Up: Border Crossing and Identity Formation in Fatih Akin's In July (2000)
Charlotte Christina Fink
Chapter 11
Lost Children: Images of Childhood on the German-Polish Border in Christoph Hochhäusler’s This Very Moment by (2003) and Robert Glinski’s Piggies (2009)
Jakub Kazecki
Chapter 12
Orphans, Violence and Identity: Transnational Travel in Cary Fukunaga’s Sin Nombre (2009), Denis Villeneuve’s Incendies (2010) and François Dupeyron’s Monsieur Ibrahim (2003)
Karen A. Ritzenhoff
Chapter 13
What the Images Cannot Show: The Letters in Montxo Armendáriz’s Letters from Alou (1990)
María Lourdes Casas
Chapter 14
Reflections on China and Border Crossings in Jia Zhang-ke’s Unknown Pleasures (2002) and Still Life (2006)
Sean Allan
Chapter 15
Border Imaging: Revealing the Gaps between the Reality, the Representation and the Experience of the Border
Katie Davies