- Home
- From the Foreword
- Chapters
- Chapter 1: Tanya Shilina-Conte on Elia Suleiman’s Divine Intervention (2002)
- Chapter 2: Dennis Browne on Emir Kusturica's Underground (1995) and Life Is a Miracle (2004)
- Chapter 3: Thomas Prasch on Alex Rivera’s Sleep Dealer (2008)
- Chapter 4: Raluca Cernahoschi on István Szabó’s Colonel Redl (1985)
- Chapter 5: Jane Costlow on Larisa Shepitko’s The Ascent (1977)
- Chapter 6: Maruta Z. Vitols on Laila Pakalnina’s The Bus (2004)
- Chapter 7: Lesley C. Pleasant on Andrea Staka’s Das Fräulein (2006)
- Chapter 8: Claudia Plasse on German Non-Fiction Film after 1989
- Chapter 9: Ayça Tunç Cox on Music in Turkish-German Diasporic Cinema
- Chapter 10: Charlotte Christina Fink on Fatih Akin's In July (2000)
- Chapter 11: Jakub Kazecki on Christoph Hochhäusler’s This Very Moment by (2003) and Robert Gliński’s Piggies (2009)
- Chapter 12: Karen A. Ritzenhoff on Cary Fukunaga’s Sin Nombre (2009), Denis Villeneuve’s Incendies (2010) and François Dupeyron’s Monsieur Ibrahim (2003)
- Chapter 13: María Lourdes Casas on Montxo Armendáriz’s Letters from Alou (1990)
- Chapter 14: Sean Allan on Jia Zhang-ke’s Unknown Pleasures (2002) and Still Life (2006)
- Chapter 15: Katie Davies on her work The Separation Line (2011)
- About the Editors
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